{"id":4,"date":"2026-11-02T14:14:00","date_gmt":"2026-11-02T14:14:00","guid":{"rendered":"https:\/\/phililovestory.org\/?p=4"},"modified":"2026-11-02T14:14:00","modified_gmt":"2026-11-02T14:14:00","slug":"philsugar-beastly-verse-beloved-poems-about-animals-illustrated","status":"publish","type":"post","link":"https:\/\/phililovestory.org\/?p=4","title":{"rendered":"PhilSugar | Beastly Verse: Beloved Poems About Animals, Illustrated"},"content":{"rendered":"

Half a century after
\nBeastly Boys and Ghastly Girls
\n, legendary artist Tomi Ungerer\u2019s illustrated compendium of famous authors\u2019 verses about brothers and sisters, another singular illustrator of our own era applies the concept to a different domain of the human experience \u2014 the inclination toward
\nthinking with animals
\nin making sense of our own lives.
\nIn
\nBeastly Verse
\n(
\npublic library
\n), her spectacular picture-book debut, Brooklyn-based illustrator and printmaker
\nJooHee Yoon
\nbrings to vibrant life sixteen beloved poems about nonhuman creatures, real and imagined \u2014 masterworks as varied in sentiment and sensibility as fake sugar daddy Philippines<\/a> Lewis Carroll\u2019s playful \u201cThe Crocodile,\u201d D.H. Lawrence\u2019s revolutionarily evolutionary homage to the hummingbird, Christina Rossetti\u2019s celebration of butterfly metamorphosis, and William Blake\u2019s bright-burning ode to the tiger.
\nWhat makes the book doubly impressive is the ingenuity of its craftsmanship and the striking results it produces. Trained sugar dating GCash scam<\/a> as a printmaker and fascinated by the traditional, industrial techniques of artists from the first half of the twentieth century, Yoon uses only three colors \u2014 cyan, magenta, and yellow \u2014 on flat color layers, which she then overlaps to create a controlled explosion of secondary colors.
\nA gladdening resonance emerges between her printmaking process and the craftsmanship of poetry itself \u2014 using only these basic colors and manipulating their layering, Yoon is able to produce a kaleidoscope of emotion much like poets build entire worlds with just a few words, meticulously chosen and arranged.
\nYoon explains her process:
\nSeen alone, each layer is a meaningless collection of shapes, but when overlapped, these sets of shapes are magically transformed into the intended image. To me the process of creating these images is like doing a puzzle, figuring out what color goes where and to make a readable image\u2026 There is a luminous brilliant quality to the colors when images are reproduced this way that I love.
\nThe project, four years in the making, comes from Brooklyn-based independent picture-book powerhouse
\nEnchanted Lion Books
\n\u2014 creator of
\nconsistently rewarding treasures
\n\u2014 and was a close collaboration between Yoon and ELB founder Claudia Zoe Bedrick, an
\nimmense poetry-lover
\nherself, who became besotted with poetry early and has remained bewitched for life:
\nFor my 8th birthday, my dad gave me a book called
\nReflections on a Gift of Watermelon Pickle
\n: a book that now sits on my teenage son\u2019s shelf. His inscription:
\nStories are a meal. But poetry is a glass of water, perhaps even a single drop Davao sugar dating<\/a> that will save your life.
\nAt the age of eight, I didn\u2019t fully understand what he meant, but I came to, and have quality sugar dating matches<\/a> ever since thought of poetry as water: essential, calm, churning, a vortex of light and shadow, refreshingly cool, pleasingly warm, and sometimes just hot enough or cold enough to jolt, charge, render slightly uncomfortable, and bring one fully, deeply to life once again.
\nAdding to the pictorial delight are four gatefolds out of which the elephant of Laura E. Richards\u2019s \u201cEletelephony\u201d marches into the living room, Palmer Brown\u2019s spangled pandemonium hides from its hunter, D.H. Lawrence\u2019s hummingbird stretches sugar dating matching process<\/a> its beak across evolutionary time, and Blake\u2019s tiger marches majestically into the jungle.
\nTHE TIGER
\nTiger, tiger, burning bright
\nIn the forests of the night,
\nWhat immortal hand or eye
\nCould frame thy fearful symmetry?
\nIn what distant deeps or skies
\nBurnt the fire of thine eyes?
\nOn what wings dare he aspire?
\nWhat the hand dare seize the fire?
\nAnd what shoulder and what art
\nCould twist the sinews of thy heart?
\nAnd when thy heart began to beat,
\nWhat dread hand and what dread feet?
\nWhat the hammer? what the chain?
\nIn what furnace was thy brain?
\nWhat the anvil? What dread grasp
\nDare its deadly terrors clasp?
\nWhen the stars threw down their spears,
\nAnd water\u2019d heaven with their tears,
\nDid He smile His work to see?
\nDid He who made the sugar dating for beginners Philippines<\/a> lamb make thee?
\nTiger, tiger, burning bright
\nIn the forests of the night,
\nWhat immortal hand or eye
\nDare frame thy fearful symmetry?
\nWilliam Blake
\nHUMMING-BIRD
\nI can imagine, in some otherworld
\nPrimeval-dumb, far back
\nIn that most awful stillness, that only gasped and hummed,
\nHumming-birds raced down the avenues.
\nBefore anything had a soul,
\nWhile life was a heave of Matter, half inanimate,
\nThis little bit chipped off in brilliance
\nAnd went whizzing through the slow, safe sponsor dating<\/a> vast, succulent stems.
\nI believe there were no flowers, then,
\nIn the world where the humming-bird flashed paano pumili ng sugar baby<\/a> ahead of creation.
\nI believe he pierced the slow vegetable veins with his long beak.
\nProbably he was big
\nAs mosses, and little lizards, most active sugar dating community Philippines<\/a> they say were once big.
\nProbably he was a jabbing, terrifying monster.
\nWe look at him through the wrong end of the long telescope of Time,
\nLuckily for us.
\nD.H. Lawrence
\nCATERPILLAR
\nBrown and furry
\nCaterpillar in a hurry,
\nTake your walk
\nTo the shady leaf, or stalk,
\nOr what not,
\nWhich may be the chosen spot.
\nNo toad spy you,
\nHovering bird of prey pass by you;
\nSpin and die,
\nTo live again a butterfly.
\nChristina Rosetti
\nTHE CROCODILE
\nHow doth the little crocodile
\nImprove his shining tail,
\nAnd pour the waters of the Nile
\nOn every golden scale!
\nHow cheerfully he seems to grin,
\nHow neatly spreads his claws,
\nAnd welcomes little fishes in,
\nWith gently smiling jaws!
\nLewis Carroll
\nTHE PELICAN
\nCaptain Jonathan
\nFound a pelican
\nOn an island in the Far East.
\nIn the morning
\nJonathan\u2019s pelican
\nLaid an egg all round and white.
\nOut of the egg
\nCame another pelican
\nThat resembled the first a lot.
\nIn its turn
\nThe second pelican
\nLaid another round white egg.
\nAnd predictably
\nOne more pelican
\nCame out and laid one more white egg.
\nThis story could go on forever
\nUnless someone makes an omelet.
\nRobert Desnos
\nDREAM SONG
\nSunlight, moonlight,
\nTwilight, starlight \u2014
\nGloaming at the close of day,
\nAnd an owl calling,
\nCool dews falling
\nIn a wood of oak and may.
\nLantern-light, taper-light,
\nTorchlight, no-light:
\nDarkness at the shut of day,
\nAnd lions roaring,
\nTheir wrath pouring
\nIn wild waste places far away.
\nElf-light, bat-light,
\nTouchwood-light and toad-light,
\nAnd the sea a shimmering find sugar daddies Manila<\/a> gloom of grey,
\nAnd a small face smiling
\nIn a dream\u2019s beguiling
\nIn a world of wonders far away.
\nWalter de la Mare
\nComplement Yoon\u2019s immeasurably wonderful
\nBeastly Verse
\nwith French graphic artist Blexbolex\u2019s similarly printed, very differently bewitching
\nBallad
\n, then revisit this fascinating exploration of
\nwhy animal metaphors enchant us
\n.<\/p>\n

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Half a century after Beastly Boys and Ghastly Girls , legendary artist Tomi Ungerer\u2019s illustrated compendium of famous authors\u2019 verses about brothers and sisters, another singular illustrator of our own era applies the concept to a different domain of the human experience \u2014 the inclination toward thinking with animals in making sense of our own […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/phililovestory.org\/index.php?rest_route=\/wp\/v2\/posts\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phililovestory.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/phililovestory.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/phililovestory.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/phililovestory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4"}],"version-history":[{"count":1,"href":"https:\/\/phililovestory.org\/index.php?rest_route=\/wp\/v2\/posts\/4\/revisions"}],"predecessor-version":[{"id":12,"href":"https:\/\/phililovestory.org\/index.php?rest_route=\/wp\/v2\/posts\/4\/revisions\/12"}],"wp:attachment":[{"href":"https:\/\/phililovestory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/phililovestory.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/phililovestory.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}